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心形巧克力饼干的PS滤镜教程,Photoshop营造七姐诞

- 编辑:曾道免费资料大全正版 -

心形巧克力饼干的PS滤镜教程,Photoshop营造七姐诞

曾道免费资料大全正版2019,曾道免费资料大全正版,本课程介绍巧克力心形的制作方法。基本历程使用形状制作出心形,然后通过滤镜及图层样式制作出浮雕效果及奶油装饰等,最终打上签字告竣。可是教程中有成都百货上千描述是用爱尔兰语的,需对照汉语。最终效果

Photoshop构建七夕心形巧克力 (载入中...) 来源:互联网小编:令彬本教程介绍巧克力心形的制作方法。基本历程选用形状制作出心形,然后通过滤镜及图层样式制作出浮雕效果及奶油装饰等,最后打上具名告竣。可是教程中有非常多描述是用爱沙尼亚语的,需对照汉语。最终效果 曾道免费资料大全正版 1 1、张开了custom shape tool(自定义形状工具),点击选拔栏shape旁的下拉箭头,瞧瞧里面某些什么。啊,一颗心,那不就是笔者急需的吧?用它表明想念之情是再适合可是了。 曾道免费资料大全正版 2 2、说干就干,按住鼠标左键拖出了贰个大大的红心后,选中选项栏内的substract from shape area,在刚才画的大红心中心拖出多个不怎么小一些的热血,那样最先创建的图样就成内空的了。接下来在空心处再拖出三个丹心,拖动在此之前笔者从未忘掉把substract from shape area改为add to shape area。(进程和结果的缩图如下所示),最终选中Layer->rasterize->layer,栅格化该层使之产生普通的图层,并取名叫“heart”。 曾道免费资料大全正版 3 曾道免费资料大全正版 4 曾道免费资料大全正版 5

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Although I've created a (slightly dodgy) kind of interface with this tutorial - you can use the same technique to create text, or whatever you want. The techniques I have described are adaptable; you can use these to create a whole variety of different textures and effects. Just change some of the settings and experiment.If your a beginner the tutorial introduces layer effects, a layer mask, and a clipping group. This time I'm going to go through each step in detail so you can achieve exactly the same effect.

一、张开了custom shape tool(自定义形状工具),点击选用栏shape旁的下拉箭头,瞧瞧里面某些什么。啊,一颗心,这不正是自家索要的啊?用它发挥牵记之情是再适合可是了。

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曾道全年免费资料大全正版,二、说干就干,按住鼠标左键拖出了一个大大的红心后,选中选项栏内的substract from shape area,在刚才画的大红心中央拖出三个有一点小一些的公心,那样最早创立的图片就成内空的了。接下来在空心处再拖出一个诚意,拖动从前自个儿尚未忘记把substract from shape area改为add to shape area。(进度和结果的缩图如下所示),最后选中Layer->rasterize->layer,栅格化该层使之成为普通的图层,并取名字为heart。

Start with a new RGB file 300 by 500 pixels. White background First we will create our "stone" texture on a new layer. Make a new layer -Fill with 50% grey. Apply gaussian noise, monochromatic, 18. Run Lighting Effects with any of the RGB channels as the texture channel, see my screenshot for the settings (its not too important that your settings are exactly the same). This is just to create a "natural" base which we are going to destroy in the next step!

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Now use the brush strokes - Spatter filter with the default settings-Radius 10 smoothness 5.

三、复制heart图层命名称叫heart1,之后临时关闭heart层的展现,将heart1上的心形用卡宴GB(154,112,21)填充为巧克力的颜色,那时作者开掘心形的大致太过平整,而常规状态下巧克力的边缘并不是相当的细腻,所以还要稍微做些加工,选拔distort(扭曲)滤镜下的ripple(波纹),将amount(数量)设为33%,那样心形的边缘就有了折皱感。(图A)

Make a new layer and fill it with 50% grey again. Reset the colors press D. Run the clouds filter then apply auto levels to the clouds. Set this layer to Multiply 75% and merge it with the stone layer below (control E). This will have created a kind of random variation over the surface.

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Because there are a lot of random factors introduced with running some of the "gallery effects" filters you may want to run them again a few times or tweak them to suit you.

四、接着要把巧克力从平面状态变创建体的。复制heart1层命名称为heart2,双击该层Logo,张开layer style(图层样式)对话框,采纳bevel and emboss效果,设定style为inner bevel,depth为500%。然后开起drop shadow,将opacity改为五分三。简轻松单的两步,一块富有立体感的巧克力便呈以往了眼前。(图B)

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五、实施image->adjust->hue/saturation调度色相/饱和度,将hue:-40%,saturation:+25,lightness:+20。哈哈,消除!馋得自己直流电口水。(图C)

Now apply Levels (control L) with the settings indicated left- the main adjustment here is in the midtones. Adjust the Hue/saturation (control U) using the colorise checkbox and use these settings: hue 70, saturation 10, and brightness 0. You should be left with something similar to the detail on the left. Apply a bevel and emboss layer effect (Set to Inner bevel "smooth", depth 421, size 27, soften 12. Use Color Dodge (opacity 63) as the highlight mode and Color Burn (opacity 44 or higher if you like) for the shadow. If you're using version 5 then you can still create a similar effect.

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七、复制heart1图层,命名字为heart3,把它拖到最顶层。实施pixelate(像素画)->pointillize(点状化)滤镜,将cell size设为12,那时有了一大堆花花绿绿的东西粘在巧克力上,不用怕,它们正是果仁的原型。

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Now we are going to carve our stone into some kind of shape. Take your chisel ... actually you don't need a chisel. What you do is add a layer mask to the "stone layer" by option clicking the layer mask icon. This will completely mask the layer. Choose the paintbrush tool with a hard edged brush at 100% opacity draw white into the layer mask. Make sure the MASK is highlighted in the layers palette while you do this. You can create any shape you want in this way! Switch from white to black using the X key to paint your shape in and out. This is the power of layer masks - your shape will always be editable.Give the stone layer a drop shadow opacity 50, distance 13, spread 0, size 13 and noise 10%.

八、将背景观设为巴黎绿,前景置为果仁的颜色,这里笔者用的是EvoqueGB(240,190,156),你也足以选取自已喜欢的色彩。 运转:滤镜 > 油画 > 撕边,多少个参数分别设为17,15,1,点击显著。看到了啊,美貌的色情果仁出现了。假设对果仁的分布感觉不太舒适,还足以运作noise->median滤镜进行调治。 上面要做的事大家应该都能猜到,对,把果仁也化为立体的。在使用Layer style此前先用魔术棒工具选中heart3上非果仁色区域(褐绿)将它们删掉,接着展开heart3的Layer style对话框,和前面同样挑选bevel and emboss效果,不同的是此次将style改为emboss,shadow model变为overlay。

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九、巧克力做完后在上头刻下自已的祝福,她见到了迟早会感动得稀里哗啦。老艺术,用字体育工作具先打出祝福的话,然后利用Layer style的bevel and emboss,这里只要把style改成pillow emboss就能够了。

Next we will create a new layer underneath the stone layer which will provide a solid black base. Load the stone shape as a selection (by control clicking the layer mask) and fill the selection on the new layer with black. Now go back to the stone layer. Paint into the layer mask again this time with black using a soft edged 10% opacity brush. This will make some soft indentations in the stone and should help make the bevel look less artificial.

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十、瞅着它,总感觉还劣势什么,干脆再做四个写上自已的名字(只需改换文字层就能够),好让本来的那块有个伴。神不知鬼不觉中自个儿的第二块巧克力也告竣了,接纳edit->transform->rotate,分别对两块巧克力加以旋调换形,为它们摆出个赏心悦目标pose。

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Now for the last step we are going to create some ridges - these can be used for interface buttons or whatever you want. Create a new layer on the top and use the line tool to make some black lines going across the surface (2 pixels wide). Now add another bevel and emboss (outer bevel, smooth, depth 100, direction down, size 5, soften 0) use Color Dodge again for the highlights and Multiply for the shadows. You might want to adjust the direction of the light slightly here - just uncheck the "global light" box and fiddle with direction pointer!Now go to the layers palette and option click the narrow line between the stone layer and the line layer. This creates a clipping group which will restrict your bevelled lines to the contours of your stone shape. I've added some text here too - but that's up to you!

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